Noa Ittah *** Multidisciplinary Graphic Designer
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Deganit Stern Schocken:
An act of Beauty
2026 Done at: Ark Studio, Hagar Erez
For: Jewelry Design Department, Shenkar
Director & Cinematographer: Roni Benisti
Producers: Yael Ouliel, Orina Parente, Noy Alon

 Film Graphics, Title Design, Motion Design
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Visual design for a documentary film about jewelry designer and professor Deganit Stern Schocken. Moving between past and present, the film reflects on different stages of her life and practice, tracing the evolution of her relationship with design, form, and material over time.

For the full experience, enjoy video 1.6 with sound on.
Dozen Books — Visual Identity
2025
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Collaborated with: Shai Blau
Guided by: Noam Schechter
Photos by: Yair Meyuhas

Visual Identity, Exhibition Design, Social Media
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Dozen Books is Israel’s book design competition, showcasing high-quality book design to a wider audience. A dozen published books and half a dozen graduation projects are selected, with the winners continuing to Best Book Design from all over the World in Leipzig.
     In 2025, we created the competition’s visual identity across social media, exhibition design, and events at Teder in Tel Aviv.
     The visual language was based on an open book spread viewed from above. Its central spine and two facing pages became the organizing principle of the identity.
Arbaat El Film
2025
Soft cover
Dimensions: 180 × 270 mm
Pages: 280
Printing: Indigo

Guided by: Prof. Merav Salomon and Dan Ozeri
Editorial and Content Guidance: eyal sagui bizawe
Photos by: Tomer HershkovitzVideo by Yair Meyuhas
Book Design, Typography, Research, Print
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Through four films from across the Arab world, a comparative gaze unfolds on youth at a moment of rupture — between childhood and adulthood, between personal identity and a society that does not always grant it space. Set against shifting political and social landscapes, these films explore coming-of-age.


     The project grew from a lifelong love of cinema, rooted in childhood, and from a complex personal relationship with a culture and language from which I later distanced myself.


      Linguistic note — the title أربعة الفيلم intentionally uses non-standard Arabic, reflecting a fragmented relationship with the language.

The Foyer
2023
Printing: Digital
Dimensions: 700 × 1000 mm
Typography, Poster Design, Print
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Two posters were designed for The Foyer, a film by Michal Houminer and Ron Katzenelson, as part of the Tel Aviv Museum of Art’s 90th anniversary celebrations. The film explores the museum’s history through its foyer, examining the space’s role and significance.
     Developed in response to a rough-cut poster brief, one poster is photography-based, while the other offers a graphic interpretation of the foyer’s sloping ramps, transforming their architectural forms into a bold, abstract composition.
New identity for Bezalel
2025
Dimensions: 400 × 130 mm, 275 × 386 mm, 386 × 550 mm
Printing: Indigo
Motion: 1080 × 1080 px, 1080 × 1350 px
Photos by: Tomer Hershkovitz
Visual Identity, Experimental Typography, Motion Design, Print
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An experimental visual identity for Bezalel Academy of Arts and Design, developed through the exploration of typography, projection and distortion. Using titles from events held at the academy as a starting point, I projected typography onto walls and experimented with manual manipulations to transform familiar letterforms into unexpected shapes and compositions. 
    This process became the foundation for a new visual language, translating experimental typography into an identity that extends across print and motion.
Kotz, Secrets
view website
2025
Collaborated with: Shachar Frenkel

Website Development: Nir Shaked

Guided by: Nir Shaked and Ayal Zakin
Editorial Design, Web Design. Print 
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In Israel, a secret is more than information — it’s a
quiet language, a shield, a source of power, or a cause for fear.
     It can be political, social, or deeply personal. In an age that prizes transparency, what remains of the secret? Perhaps it now lives as an act of subversion, asking only to be heard differently.
     Created in collaboration with the Rubinstein Center for Constitutional Challenges at Reichman University.

Shenkar
Calendar Design
2026
Done at: Ark Studio, Hagar Erez
For: Academic Administration, Shenkar
Dimensions: 350 × 919 mm
Printing: Offset
Photos by: Tomer Hershkovitz
Print, Typography, Information Design 
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An academic calendar designed for Shenkar, inspired by the visual language of filing folders. Color-coded months and staggered, tab-like edges create a sense of rhythm and movement, bringing a playful approach to organizing the academic year.
cultural assimilation
2024
Soft cover, exposed spine binding
Dimensions: 143 × 233 mm
Pages: 180 
Printing: Indigo
Photos by: Tomer Hershkovitz
Book Design, Typography, Image Making, 
Screen Printing

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The book explores ethnic segregation within Israeli society, with a particular emphasis on Jewish immigrants from Arab countries and their descendants. It examines the cultural and linguistic assimilation of an entire community as part of its integration into Israeli society.
     Through a research-based approach, the book investigates sectarian discourse, the tensions between ethnic and local cultures, and the challenges and barriers faced by Jewish immigrants from Arab countries.
Empty Lands
2024
Saddle Stitch
Dimensions: 275 × 370 mm
Pages: 16 
Printing: IndigoPhotos by: Tomer Hershkovitz
Print 
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Territorial wars involve the occupation and invasion of territories held by others, raising questions of power, control, and conquest.
     This publication explores virginity as a symbol of territorial conflict, drawing parallels between the concept of virginity and territorial struggles. It examines the dynamics between conqueror and conquered, both in relationships between nations and between boys and girls.
      The publication also incorporates imagery from films that engage with these themes.
      The idea for the publication originated from a research paper I had written several months earlier for the theoretical course Arab Cinema in the Contemporary World, taught by Eyal Sagui Bizawe. In the paper, I explored virginity as an analogy for territorial invasion, an idea that later became the conceptual foundation for the publication.
Personal Grounds
2025
Curator: Sonia Olitsky
Photos by: Dor Kedmi
Visual Identity, Exhibition Design, 
Typography, Print 
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The exhibition explores questions of identity, belonging, and collective self-definition through works that reflect on the social and political realities of recent years. Presented at Beit Hansen in Jerusalem.
      The visual identity interprets these themes through a form-based approach inspired by documents and administrative materials, incorporating elements such as pins, papers, and modular layouts to create a structured yet open visual system.
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